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Showing posts from May, 2023

Week 8: NanoTechnology + Art

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I found Dr. Gimzewski's lectures on nanotechnology and art extremely fascinating! I honestly never knew there were so many ways in which nanotechnology can be used. One aspect of this field that particularly caught my attention was the role of nanoparticles in self-cleaning products. In his lecture, Dr. Gimzewski discussed how when you make particles on the nano scale, you can change properties, as seen in the "lotus leaf effect" ( Nanotech for Artists, Part 3 ). The lotus effect essentially refers to the property of hydrophobicity, or water-repellency, and has been reproduced on a variety of surfaces, including glass, wood, metal, and absorbents.  "The Lotus Effect." ProPerla , https://www.properla.co.uk/lotus-effect/.  In recent years, such nanotechnology has proven to have "real commercial potential," especially for the textile industry (Malik). In efforts to emulate this remarkable phenomenon of nature, multiple companies have developed dirt- and l

Week 7: Neuroscience + Art

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Neuroscience, the study of the function and structure of the human brain and nervous system, has proven to have a profound impact on the realm of art, being portrayed in film, mass media, artwork, and much more. Of course, this is also due to the fact that neuroscience helps to reveal various aspects of our individuality, such as our consciousness, decision-making process, and socio-psychological interactions (Frazzetto and Anker). One of the artists that particularly stood out to me this week was Suzanna Anker, an American visual artist and theorist who is considered to be a pioneer in Bio Art. Her work, "MRI Butterfly" is based on a series of identical MRI brain scans that feature an image of a butterfly, as well as Rorschach-like inkblots.      "fMRI Butterfly." Neuroculture .   This overlay of the butterfly, MRI scans, and inkblots results in "nuanced variations" that ultimately create optical illusions for the viewer (Frazzetto and Anker). Each of the

Event 2: Cosmological Elements--Space and Art #2

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The second event in the Cosmological Elements exhibition was "the Space Ecologies." While the first event in th e series focused on a basic investigation of what the universe is made of, this panel explored the manifestation of space elements on planets. The lineup of artists included: Michèle Boulgone, Ranjit Bhatnagar, Makoto Azuma, and Quadrature, along with a few others!  Email Confirmation of Event  As with the first event in the series, I thoroughly enjoyed observing the various artworks and hearing the artists' stories behind their projects. Each provided compelling input on how we can further bridge the gap between science and art, demonstrating through their work that these two seemingly disconnected disciplines are actually quite inseparable. The two artists that particularly caught my attention were Makoto Azuma and Ranjit Bhatnagar.  Makoto Azuma is a Tokyo-based Japanese flower artist who is credited with the creation of what he calls "botanical sculptu

Week 6: BioTech + Art

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A project that particularly caught my attention in this week's lesson and helped further my understanding of biotechnology was Kathy High's Embracing Animal. In her work, High seeks to raise awareness of transgenic rats, rats that have a "foreign DNA inserted into their genome" and are specially engineered for medical and scientific research (High). Also known as hybrids or cyborgs, transgenic animals are created for the purpose of gaining an understanding of certain physiological processes, blood cell production, and how to potentially cure diseased metabolisms. High's group of rats (Matilda, Star, and Tara) were originally produced as a disease model by scientists.  "How a Transgenic Rat is Created." Embracing Animal ,  http://www.embracinganimal.com/transrats.html.   Thanks to High, these lab rats were given another chance and are now being well taken care of! Her goal is to make them live as long as possible, treating them holistically with alternati